Note to recruiters

Note to recruiters: We are quite aware that recruiters, interviewers, VCs and other professionals generally perform a Google Search before they interview someone, take a pitch from someone, et cetera. Please keep in mind that not everything put on the Internet must align directly to one's future career and/or one's future product portfolio. Sometimes, people do put things on the Internet just because. Just because. It may be out of their personal interests, which may have nothing to do with their professional interests. Or it may be for some other reason. Recruiters seem to have this wrong-headed notion that if somebody is not signalling their interests in a certain area online, then that means that they are not interested in that area at all. It is worth pointing out that economics pretty much underlies the areas of marketing, strategy, operations and finance. And this blog is about economics. With metta, let us. by all means, be reflective about this whole business of business. Also, see our post on "The Multi-faceted Identity Problem".

Friday, June 14, 2013

Lost opera

Via the Huffington Post:
Scientists have helped to restore Luigi Cherubini's opera "Médée" to its original glory.

A lost aria, or solo song, from the piece, which Cherubini apparently smudged out in spite more than 200 years ago, has been revealed by x-ray scans.

Cherubini was an Italian composer who worked mostly in France and counted Ludwig van Beethoven among his contemporaries and admirers. When Cherubini's French-language opera "Médée" premiered in 1797, critics whined that the opera was too long, and as legend has it, the composer cut the piece by about 500 bars.

A shortened Italian translation of the opera became the dominant form of that opera into the 20th century. But today, many opera-goers and critics long to see "Médée" — which tells the wrenching Greek myth of Medea — as Cherubini first wrote it.

A well-received bicentennial version of the opera in its original form was produced in New York by Opera Quotannis in 1997; critic Peter G. Davis declared at the time that the doctored form "we've been hearing all these years, should now be permanently set aside." Back in December, an audience displeased with a radical take on Cherubini's "Médée" apparently lobbed obscenities at the performers in Paris and shouted "Stop the desecration of opera," according to the New York Times.

Now scientists are taking part in the revival, too. In an original manuscript of Cherubini's "Médée," the closing lines of the aria "Du trouble affreux qui me dévore" ("The terrible disorder that consumes me") are blacked out. Scholars sent the copy to physicists at Stanford University's Linear Accelerator Center (SLAC) in Menlo Park, Calif., where the lost musical notes were recovered with the help of powerful X-rays.